Olaina.PhotosAndArt

Thursday, September 28, 2006

Show at Balboa Park merges into Poway display

The Spanish Village show is open for a special night event tonight--After Dark. So if you haven't seen it yet, PhotoArts Group is hanging in Gallery 21 and still includes six photos of India I took two years ago. The whole Village is open, so you can see jewelry and stuff too. It's from 5:30 to 8:30 p.m. and I plan to be there. Some of the time, most of the time, for as long as I want. :)

And then, tomorrow, we're hanging our show in the Poway Center for the Performing Arts at 15498 Espola Road (92064 if you want to Mapquest it). That show, "Multiple Universes: Beyond Definitions," runs from Saturday, Sept. 30 to Monday, Oct. 30 showcasing the digital and photographic art of 59 artists. We will have an opening reception on Sunday, Oct. 8 from 2-5 p.m. There will be a different photograph of India there--Hot and Fast, it's called. And since it's not at the Balboa Park show it will be easy for me to hang in both places at once. Genius!

If you're a loyal fan, these photos were all hanging at Heights Cafe from mid-July to August, so you don't have to drive all the way to Poway to see one photo you've already seen.

And I promise next time my photos will involve other countries or subjects--India gets old.

Well, India is old.

But I have new photos to share with you and I look forward to the opportunity.

Thank you for coming to my blog and/or my shows!

Thursday, September 14, 2006

When I Grow Up

I want to be free

or a butterfly

or a grain of sand

or water

The School Shooting Dream

It's one I've had frequently since Columbine. During Columbine I was still doing my credential work and working as an aide in an RSP class in a continuation school (special ed class--kids who had learning disabilities so they read between a grade 2 to, oh, 10ish level but also had their own babies and were pregnant again, or were bouncing between juvenile hall and their "regular" school because they could still wield knives and guns and spray paint cans like nobody's business. They weren't supposed to spend any time with their gangs as part of their probabtion, but where would they have slept? Their dads, their uncles, their brothers, their sisters all jumped in. They had to go home. How could they get out. The only ones I know who ever got out either became famous or dead. Mostly dead.).

The day after Columbine we had a fire drill.

You would think they'd have rescheduled.

At that continuation school we even had a kid, one of my favorites, whom when I discovered he liked Edgar Allan Poe because there was a story in a textbook he had to read, I went and found a collection of Poe's stories at a used bookstore and he read every single one of them, wouldn't do anything else, and who were we to stop a kid like that from reading? A kid who wore a trench coat (especially after Columbine--just to throw us off) and cut into his arm in patterns, right there at his desk with his pencil while I asked him please not to do that. A kid who gave the book back to me on my last day there, because I leant it to him. I can't remember if I tried to get him to keep it, or if I took it back because I hoped I'd find another kid like him. I never liked Poe much. And then of course we had kids from rival gangs in the class, and there was that one day in the quad, where they stood facing each other and staring each other down and I noticed because it got silent and all the heads turned to see the action.

But all I saw was two little boys staring at each other with fear and anger and loneliness and pain in their eyes.

So I walked up to them because I loved them like little brothers and didn't think of anything else but wanting to save them from themselves and getting into more trouble--me, 5"almost5', probably 105 then, and said, "Hey guys, what's up?"

They looked at me and a light went on in their eyes and they walked away from each other while the volume in the quad went back up to lunchtime level.

Back in class everyone just did their work.

But ever since that Columbine Day, there's been the school shooting dream. I know I'm not the only teacher who has it. But I had it again last night. And for the first time, I was a high school student instead of the teacher.

In the old dream I had to protect all the kids. In the real life--awake--I always had a route out of our classroom and school planned. The school plan, the one we practiced, was incredibly inefficient and if there were really something happening, something serious, we'd probably all die in the funnel of the ramp to the parking lot. In my plan, we do a little jumping up a fence, a little climbing down the bushes--the way the kids always went when they were ditching and didn't know I could see them from my desk through the shaded windows that didn't really cool our classroom from the greenhouse effect at all. Sometimes: 90 degrees, 40 kids, after lunch, Anna Karenina and next door laughter, funny jokes being shouted and a publication being created.

Is it clearer now, why I'm taking a year off?

After Columbine, I always took my cell phone to the library with the kids. I should have brought my purse and my car keys because we wouldn't have access to those for maybe weeks or months if the school became a crime scene, but it was more likely I'd "lose" them while I helped some other kids find books or truly useful information online.

After Columbine, there was a plan for everything the adminstration could think of--we had packets and gloves and cards of different colors to indicate the level of help needed in our rooms--all OK, injured, dead. We had directions to use our trashcans for the toilet, to get under our desks, to get into a safe place in a room with 1/4 walls that were glass windows ceiling to floor, to lock doors that only locked from the outside in some rooms.

It was all very organized.

But in this Columbine dream (I know I had it because of Canada's shooting yesterday--they do this in college now, these poor sick kids are getting older, but now I remember it started in offices--we're all infected) I was a high school student. I didn't have to protect my flock. But I also didn't have anyone really doing a very good job protecting me.

It was a really weird combination of things, the way dreams are; my elementary and junior high school for the setting combined with some of the back of the last high school I taught in, and the last principal I worked for talking through a megaphone and what looked like the lunch lines saying something about team work and everything being OK if we get into the right line, and there were these two gangs with their spray graffitti that was brown. Why brown? And they even tagged in sky writing. I could see the planes, and all the kids looking up. The sky was their territory too. Brown (I now realize) like the tags behind my apartment building. Brown? Interesting choice. Maybe it was on sale? But there was an event that day, something like prom--we were all very dressed up--but I was with all my high school friends, in the band like we were, and we were shepherded into the music rooms and made to warm up but at the risk still of being shot and I turned my head and saw Mr. Hallback, my real band director and truest mentor in high school and for a while afterward who I can't find now that I'm married--he was invited but declined, though I used to have lunch with occassionally.

And then I woke up and had to shake the Columbine Dream feeling. But at least I don't have to go to school today and be vigilant. Today I get to read to little kids at story hour and their own moms and nannies will be there to take care of them. I won't have to keep counting heads, like I did when I took 70ish teenagers for four or five days to cities like Chicago, Seattle, Kansas City, Washington DC (where we were evacuated from the White House because a plane invaded its sky-territory (maybe they should tag it so it's more clear to beginning pilots--oops!)) but we met Dick Cheney because he fishes with one of the yearbook kid's dad... I have his signature on the Cedar Fire edition of our newspaper, but it's still in the manilla envelope the White House staffer sent it in.

Does anyone ever need to ask ever again why I need a year off from teaching?

My God, it's a miracle anyone survives high school the first four years they have to do it. To go back is an act of love and mercy and devotion to the dream that one person (in tandem with a bunch of others with the same dream), the dream that one person can make a difference in peoples' lives, can make the world a better place.

And no, the hours aren't great and we don't have summers off. I worked 60 to 80 hours per week--an hour before they arrived preparing the room, the props, the papers, and countless hours afterward reading and grading (a sin) their writing, not to mention all the journalism stuff which is a full time job itself, but one of the best jobs I'll ever have had. And in summers there are workshops and planning and meetings. So we get to sleep in and have coffee in coffee shops. For 180 days a year we can't even pee until the bell rings (two hour classes) and even then it's only if we're quick and lucky enough to talk to the kid who needs talking to, wait in the line for the two bathrooms for two buildings, and maybe eat at least part of the snack we brought, since breakfast was at 6 a.m.

If I get to keep in touch with some of those kids for the rest of my life it will be a life well lived.

Wednesday, September 13, 2006

More art fun at the Espresso Garden!

They're part of the University Heights Arts Open! There will be two other artists there, and little ol' Olaina. Come see come see! Sept. 16 & 17 noon to 6 p.m.--and on Saturday, after the Arts Open, come back to the Garden to relax and enjoy a warm drink and some live music.

More info on the University Heights Arts Open: http://uharts.org/

Tuesday, September 12, 2006

Come see The Spanish Village Show

This exhibit is part of the Photo Arts Group, which means my photos will be hanging with a bunch of other really talented and brilliant photographers, so you should come to see it!

Here's the info if you haven't gotten a paper postcard:


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I look forward to seeing you there!

Come see The Spanish Village Show

This exhibit is part of the Photo Arts Group, which means my photos will be hanging with a bunch of other really talented and brilliant photographers, so you should come to see it!

Here's the info if you haven't gotten a paper postcard:


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<http://www.allgstudio.com/PAG/PAG_SV_D-V_back.jpg>

I look forward to seeing you there!

Monday, September 11, 2006

The Building a Photography Portfolio Class is Over

So now I can build my real photography portfolio. Eventually, what I would like to have is a portfolio for weddings and one for portraits so that I can be a commercial photographer. I am going to build those at my own pace and in my own style while I continue to convalesce. But for tonight, I made a portfolio called "Hate Free Zone," which was important in its own rite. Here is the text that went with it:

Artist Biography

Where are you from?

People ask me that because of my name. Olaina: creative parents in the 1970s. Maiden Name Gupta: I am ¾ Indian from India. Anderson: with an O. I was born in Toronto, Canada, to Indian immigrant parents who were chasing the “American Dream.” We moved to the States when I was in first grade and I grew up doing my best to be perfect. (I do not know why. It just seemed important for 30 years.) I am a wife with trophies for grades, writing, journalism, teaching, advising an award-winning high school newspaper and leading numerous volunteer organizations. And now, at 31, I am finished with being a human doing and trying to be a human being. I have finally given myself permission to explore painting and photography as activities important in my life and hopefully one day my livelihood. In these two forms of art I have managed to literally find light in the darkness.

What have you done?

So much for just being.

This July and August, I had the privilege of hanging my first photography show at Heights Café. “This is India.” captured my first and only visit to one of my answers to “where are you from.” It was an astonishing three-week experience in the summer of 2004. I went with my mother, father, brother, and husband. My dad is the only one who had visited there since my parents left just days after their wedding in 1968. We relied on him to translate with his now-broken Hindi as we swept through hotels and relatives’ homes in Bombay, Calcutta, New Delhi and Bangalore, finally settling in Goa during the off season to “rest.” “This is India” is a phrase we often heard from the natives when we had questions or comments about anything. It was spoken with the lilt of a rhetorical question, the flatness of a statement, the annoyance of someone stating the obvious, and the teasing voice of a cousin who knows the Western-way and understands the reason we asked. This is India: The traffic flows through intersections like sand through an hour glass, the monsoon downpours begin and end without warning, my husband got an electrical shock when he touched the shower knob of a hotel, the toilets even in middleclass apartments are flushed by buckets the user fills with water from a spigot in the wall, and if Heights Café were in India there would be families living under blue tarp tents on the sidewalk. In fact, it wouldn’t be too surprising if overnight someone built a concrete building (or one made of cow dung bricks) on the corner and just started living and working there. This is India.

Some of the photographs from that show will be on display with the Photo Arts Group in “Deja-View,” from Sept. 16 to 29, in Gallery 21 at the Spanish Village in Balboa Park and in “Multiple Universes Beyond Definitions” at the Poway Center for the Performing Arts, October 1 to 28.

I also have an ongoing show of acrylic paintings of flowers on wood called “Blossoming” at The Espresso Garden, which is located at 4121 Park Blvd. in Hillcrest.

Artist Statement about “Hate Free Zone”

This portfolio begins with a black and white portrayal of the sadly controversial LGBTQ community. Here, color does not matter, but two dads love their adopted baby boy, and two women have been committed to each other for 25 years but only legally married in Canada for one year.
Next, there is the story of Evans Scott Cartwright’s baptism into the love of Jesus Christ, which knows no boundaries. None. Love one another. It’s that simple.

The third chapter is about my high school journalism staff. When I had to leave teaching for medical reasons, I signed our traditional senior gift with the words, “Know Greater Love.” High school can be such a tumultuous time; I know many of us are glad we only had to live through those years once in our lifetime. But the school newspaper students know great love—of words, of truth, of friends, of teachers, of self, and I was privileged to be a part of those four years of their lives. Those photos are of journalism conventions in Chicago and Seattle—they loved the color of the leaves, the chill in the air that gave them an excuse to walk arm in arm, the musical activities of the Rock and Roll Hall of Fame, and of course the good old fashioned fun of a photo booth; so much fun that they fell asleep on the bus. A moment of peace.
Th
en there’s Mandi and Eric Tremaine’s wedding. The “girls” show their love for the bride by doting on her all day long, letting her tell them what color to wear and how to do their hair; the “boys” play pool to relax before the big moment, but even Eric, typically a big tough Marine, had tears of joy in his eyes on that day that was dedicated to love. Mandi glowed while she watched her husband and his mother dance, and then her father came and asked her to dance—the love of family grew into a bigger circle.
Jennifer and Tony Zimmerman love their California friends so much that they came all the way back from North Carolina, where he is now stationed in the Navy, to baptize their son Cal. Lori Killpatrick (now Smith) did not let her father see her in her wedding dress until she was completely ready to walk down the aisle with him and be given to her fiancé. The little girls loved every moment of their part as princesses, and her father let his love for his daughter pour forth in this final moment as daddy’s little girl.
In the world I want to live in, love shines brightly and wins over the darkness of pain and war, hunger and hatred, fear and all of the –isms. But for now, I see the glimmer of hope for the world in all of these people who love one another.

And here are some of the photos in the sidebar ------>

Thursday, September 07, 2006

A Happy Home


Once, when I was talking to Jason, Jeremy's brother, and teasing Jeremy as he walked by, Jason said, "You sound like you're related." (They have a really big family, and I've met a lot of them at the Garden.)

But that's how it is there: the co-owners of The Espresso Garden make people feel at home.

And someone stepped in today and said it was an oasis from the street, "Even the fence, and the fountain and the slope all leading away" from that chaos out there--it's our little paradise.

Today someone took one of the flower paintings home. She seemed like a nice lady, and she really wanted it to give life to her Vegas home--she says Vegas sucks the life out of everything. It was hard to say goodbye, but I gave it a hug and knew it had found a good home.

Sometimes it's hard to let go, even when you know it's the right thing to do.

Wednesday, September 06, 2006

A Haven for Artists

Today I got to wake up when the was shining (actually I think there was honking or sirens), I got ready as I felt like it,and then I went to The Espresso Garden and hung out with Jeremy (The Espresso Garden co-owner) and Grace Ann (painting a beautiful mural of a Tuscan scene on the Garden wall) while I painted flowers.

Today was an easy day to be happy.

Jeremy says I have a lot of energy. It's Garden energy. I can be happy there, with no one judging me well or poor, a sweet girl painting and showing me how to achieve more depth in my own paintings, and nothing to do but say hello to people who come into the shop to relax.

Plus tomorrow I get to read to little kids there for story hour. (Thurs. 10:30)

The Espresso Garden is a haven for artists. Someone who isn't one said we were inspirational today.